The 1934 rebuilding and Tom Yawkey
The 1934 reconstruction under Tom Yawkey was the most consequential single event in the park's architectural history — the moment at which the original 1912 structure was substantially replaced and Fenway took on the essential form it retains today.
Yawkey had purchased the Red Sox in 1933 for $1.5 million — at the time the highest price ever paid for a baseball franchise. He was 30 years old, the heir to a substantial timber and mining fortune, and he arrived at Fenway with money to spend on both the team and the stadium. The fires of 1926 and 1933 had damaged substantial portions of the park; the 1934 reconstruction was the opportunity to address all of it at once.
Duffy's Cliff was removed. The wooden stands in right and centre field were replaced with concrete structures. The grandstand was enlarged, increasing the seating capacity to 33,817. The Green Monster took its modern form, with the manually operated scoreboard set into its base. The result was, in its essential structure, the park that exists today. Subsequent renovations — luxury boxes in 1982, the 600 Club in 1988, the Monster Seats in 2003, and various expansions under the John Henry ownership from 2002 onwards — have added to and refined the structure without changing its fundamental character.
Fenway in history: the moments that made it legendary
Fenway Park's architectural character is inseparable from the events it has witnessed. Several deserve particular note for what they reveal about the building's relationship to the city and the game.
The 1912 World Series was the first. The Red Sox that season went 105-47 — still the best winning percentage in franchise history — led by 22-year-old Smoky Joe Wood who went 34-5 with a 1.91 ERA. They defeated the New York Giants in eight games, with the clinching game played at Fenway.
Babe Ruth played for the Red Sox at Fenway from 1914 to 1919, starting as a pitcher before becoming an outfielder. In 1916 he pitched a 14-inning complete-game World Series victory. He was sold to the New York Yankees after the 1919 season for $100,000 — the sale that began what Red Sox fans called the Curse of the Bambino: an 86-year championship drought that lasted until 2004.
Ted Williams defined the park's character across two decades. A lone red seat in the right-field bleachers — Section 42, Row 37, Seat 21 — marks the landing spot of his 502-foot home run hit on 9 June 1946, the longest ever measured at Fenway. Williams played his final game at Fenway on 28 September 1960 and hit a home run in the eighth inning in his last at-bat. Updike was in the stands and recorded it: Williams circled the bases with his head down, declining to tip his cap to the crowd as he had always declined throughout his career. "Gods do not answer letters," Updike wrote.
Game 6 of the 1975 World Series is the game most people would identify as the greatest ever played at Fenway. Carlton Fisk, facing the Cincinnati Reds' Pat Darcy in the 12th inning with the score tied at 6, hit a long fly ball down the left-field line that appeared to be heading foul. Fisk famously jumped and waved his arms to the right as if to direct the ball fair. It struck the left-field foul pole and the Red Sox won the game. The footage of Fisk's arms waving is among the most replayed images in the sport's history. The Reds won Game 7 the following night.
The 2004 World Series ended the curse. The Red Sox, having come back from 3-0 down against the Yankees in the ALCS, swept the St. Louis Cardinals in four games. The championship was their first since 1918. Three more followed: 2007, 2013, and 2018. The 2013 championship was clinched at Fenway for the first time since 1918 — the year the park had last hosted a clinching game in a Red Sox World Series victory.
The building saved: why Fenway still stands
By the late 1990s, Fenway Park's survival was not assured. In May 1999, Red Sox management announced plans for a replacement ballpark to be built across the street, citing structural concerns and the need for greater capacity and more luxury boxes. The plans met fierce public opposition. Supporters of preservation argued that the park's intimate scale and accumulated history were irreplaceable — that no new stadium, however well designed, could substitute for a building in which a century of baseball had taken place.
When the John Henry/Tom Werner/Larry Lucchino ownership group bought the Red Sox in 2002, they committed to preserving and renovating Fenway rather than replacing it. What followed was a twenty-year programme of upgrades — Monster Seats, improved concourses, new video boards, the Aura Club — that modernised the park's amenities while leaving its essential character intact. The National Register listing in 2012 formalised what the new ownership had already decided: Fenway Park was worth keeping.
The model-maker's lens
We modelled the Jersey Street entrance façade — the main entrance to Fenway Park on the street that was renamed to Yawkey Way in honour of longtime Red Sox owner Tom Yawkey and then, in 2018, reverted to Jersey Street as the club distanced itself from his legacy. It is the threshold through which every Red Sox fan has passed: the brick face of a ballpark that belongs to its neighbourhood, announcing itself not with grandeur but with the quiet solidity of a building that has been here for a very long time.
- Focus — the entrance composition: the arched openings, the tapestry brickwork in decorative red-brick patterns, and the horizontal rhythm of the façade running along the street; the signage and gate metalwork that mark this as the threshold between the city and the game
- Detail — the tapestry brickwork at close range, where the decorative laying pattern becomes apparent; the arch profiles of the entrance openings; the ironwork of the gates
- How it reads at small scale — the entrance façade is fundamentally about the rhythm of arches and brickwork across a horizontal surface — both of which read clearly in plaster; the entrance openings give the model depth and shadow that bring the composition to life
- How to display — straight on, where the rhythm of the entrance arches reads as a continuous composition; a raking light from one side will bring out the relief of the brickwork and the depth of the arch recesses.
- How we made it — we modelled this gorgeous building (we love brick patterns) from photographs. As usual we created a CAD model, 3D printed the master pattern, and then changed to the traditional techniques of rubber moulds and plaster casts.
There is something fitting about modelling the entrance rather than the Green Monster. The Monster is the building's most famous element — the one that changes games and generates statistics. The entrance on Jersey Street is the element that every fan experiences: the moment of arrival, the threshold crossed, the point at which the city gives way to the ballpark. It is, in that sense, the most universal part of Fenway Park — the part that belongs equally to everyone who has ever been there.