What are the Fisher Studio Houses?
The Fisher Studio Houses were conceived as studio-type homes: residential units designed around the needs of creative life, with dramatic volumes, purposeful light, and a sense of spatial theatre. The project is arranged as a compact ensemble rather than a single monumental block, creating a quiet residential world within the city.
This is architecture that treats daily life as something worth composing — with proportion, light, and circulation designed as carefully as the exterior.
Facts panel
Art Moderne studio apartment complex in Chicago's Gold Coast neighbourhood, Near North Side. Commissioned 1936; completion 1936–37. Now converted to condominiums (2000).
- Architect: Andrew Nicholas Rebori (1886–1966)
- Artistic collaborator: Edgar Miller (1899–1993) — stained glass, carved woodwork, tile, mosaic, ironwork, and sculptural plaster throughout
- Client: Frank Fisher Jr., executive, Marshall Field & Co.
- Year designed/built: 1936 (some sources give completion as 1937)
- Units: 12 duplex studio apartments (plus Fisher's own three-storey rear dwelling)
- Address: 1209 N. State Parkway, Chicago, Illinois 60610
- Neighbourhood: Gold Coast, Near North Side
- Architectural style: Art Moderne (also described as streamlined modernism)
- Designation: Chicago Landmark, designated 31 July 1996
- Significant features (per Landmark designation): the State Parkway (west) elevation including the roofline; the interior courtyard including the staircase at the northwest corner
- Current use: Residential condominiums (converted c.2000)
Architectural style and design approach
The Fisher Studio Houses are commonly described as Art Moderne — a streamlined offshoot of Art Deco that emphasises smooth surfaces, modern materials, and an aerodynamic sense of form.
Key architectural characteristics include:
- a modernist, streamlined exterior expression
- an emphasis on composed openings and surface rhythm
- a strong relationship between architecture and the shared courtyard
Rather than relying on historic ornament, the building’s character comes from geometry, proportion, and carefully controlled spatial experience.
Studio living: interiors designed for light, volume, and making
The project’s studio concept is central to its architectural legacy. These are not simply “apartments,” but spaces designed around:
- generous vertical volumes
- purposeful daylight
- a lived-in relationship between work and home
This focus on interior experience places the Fisher Studio Houses within a lineage of artist-oriented housing — architecture that makes creativity feel structurally supported rather than incidental.
Courtyard planning and the urban setting
Set on State Parkway, the complex uses its planning to create a sense of retreat. The courtyard becomes the project’s quiet centre: a spatial buffer that gives the development privacy and calm while remaining unmistakably urban.
This is a key modernist idea executed at a domestic scale: shaping a micro-environment through architecture, not decoration.
Model-maker's lens
The Fisher Studio Houses present us with an interesting problem: the building most people know from photographs is the State Parkway façade — that narrow, streamlined street face of curved walls, glass block, and painted brick. But the building's real life happens behind it, in the courtyard, which almost no one outside the building ever sees.
- Focus — the State Parkway elevation: the narrow public face that announces everything while revealing almost nothing. Curved walls, glass block panels (not conventional windows), painted brick in horizontal bands — an Art Moderne composition that is essentially a gate.
- Detail — the glass block is the key material. It transmits light without transparency, gives the façade its particular luminous quality in photographs, and was technically adventurous for 1936. Miller's handcrafted ornamental work on the entrance and the spiral staircase within the courtyard is the other defining detail.
- How it reads at small scale — the geometry of the façade is compact and legible. The curved corners, the rhythm of the glass block, the strong horizontal lines: these are features that hold at reduced size.
- How to display — works well face-on, where the façade geometry is most legible.
As an object, the Fisher Studio Houses stand for something very specific: a modernism that is also a craft tradition — streamlined surfaces on the outside, handmade everything within. That paradox is part of what makes it worth modelling.
View the Fisher Studio Houses architectural model
Recognition and legacy
The Fisher Studio Houses are formally recognised as a Chicago Landmark, reflecting their importance within the city’s architectural history and the broader story of American residential modernism.
Frequently asked questions about Fisher Studio Houses (Chicago)
Are Fisher Apartments the same as the Fisher Studio Houses?
Yes — the Chicago building associated with Rebori and Miller is widely known as the Fisher Studio Houses; “Fisher Apartments” is a commonly used alternate name.
Who designed Fisher Studio Houses in Chicago?
They were designed by Andrew N. Rebori (1886–1966) and Edgar Miller (1899–1993). Rebori was a Chicago architect known for his inventive approach to residential and commercial design. Miller was an artist, muralist, and craftsman whose hand-made decorative work — stained glass, carved wood, mosaic, ironwork — defines the interiors of the Fisher Studio Houses and several other collaborations with Rebori on North State Parkway. The building is as much a work of decorative art as of architecture.
When were Fisher Studio Houses built?
The City of Chicago landmark record lists 1936. The building was commissioned by Carl Fisher as artist studios and apartments, reflecting the bohemian character of the Near North Side neighbourhood in the 1930s.
Where are Fisher Studio Houses located?
1209 N. State Parkway, Chicago, Illinois, in the Near North Side neighbourhood. The building sits within a cluster of Rebori and Miller collaborations on the same street, including the Carl Street Studios (now Adler and Sullivan Houses) at 155–161 W. Burton Place, which the pair worked on through the 1920s and 1930s.
What architectural style are Fisher Studio Houses?
They are commonly described as Art Moderne — the streamlined strand of 1930s modernism characterised by smooth surfaces, curved forms, and minimal ornament in the structural fabric. What makes the Fisher Studio Houses distinctive is the contrast between the restrained exterior and the exuberantly handcrafted interiors, where Edgar Miller's stained glass, carved panels, and decorative ironwork transform individual apartments into works of total design.
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