What is Mornington Crescent station?
Mornington Crescent is a London Underground station in Somers Town, at the southern end of Camden High Street where it meets Hampstead Road, named after the nearby crescent of houses. It opened on 22 June 1907 as part of the Charing Cross, Euston & Hampstead Railway (the "Hampstead Tube"), one of three new deep-level lines built in a rush by the UERL in the first decade of the twentieth century. Today it sits on the Charing Cross branch of the Northern line, between Camden Town and Euston.
It was, for much of its life, a quiet station — open only on weekdays for many years, and for a time bypassed altogether by trains in one direction. That obscurity, as it turned out, would become part of its charm.
Facts panel
London Underground station, Camden. Opened 1907.
- Architect: Leslie Green
- Built for: Underground Electric Railways Company of London (UERL)
- Railway: Charing Cross, Euston & Hampstead Railway (now the Northern line)
- Opened: 22 June 1907
- Address: Hampstead Road, London NW1, England
- Materials: Oxblood-red glazed faience (Burmantofts Pottery) on a structural steel frame
- Architectural style: Modern Style (British Art Nouveau) / Arts and Crafts
- Current use: London Underground station (Northern line)
- Designation: Grade II listed (Historic England 1378713)
Architect: Leslie Green
Leslie Green (1875–1908) was appointed architect to the UERL in 1903 and given an extraordinary task: to design some fifty new station buildings for three underground lines at once, complete with their exteriors, fittings, and decoration. The relentless pace contributed to his early death in 1908, aged just 33 — but in those few years he created one of the most successful and recognisable architectural identities in British history.
For the full story of the Underground's architecture — Green's oxblood stations, the Metropolitan Railway's classical style, and the modernism of Charles Holden — see our London Underground architecture guide.
Architectural character: oxblood faience and the arched front
Green's stations were designed to be recognised at a glance, and Mornington Crescent shows every element of his house style. The façade is faced in glossy oxblood-red (sang-de-bœuf) glazed faience blocks — supplied by the Burmantofts Pottery — hung on a modern structural steel frame, then a new technique imported from America. The frame did two things: it allowed large, open ticket halls inside, and it carried a flat roof, deliberately designed so that commercial offices could be built above the station.
The composition is bold and vertical. Wide ground-floor bays, divided by pilasters, gave space for separate entrances, exits, and shops. Above them rise the signature giant semicircular arches, their upper halves filled with glazed tympana — great half-moon windows that flood the upper floor with light. A heavy modillion cornice caps the front, and a broad white faience band carries the station name in capitals across the façade. The interior was lined in green-and-white tiles, with a distinctive geometric tiling scheme at platform level, individual to each station.
The effect is warm, glowing, and unmistakable — architecture as branding, decades before the word was used.